I’ve spent some time recently watching V for Vendetta. For those who don’t know it’s a movie set in England. V is a terrorist both seeking revenge and trying to free the people from the military-state government that has formed. As a writer what caught my interest the most with this movie is the fact V always wears a Guy Fawkes mask. We never see his face.
While we never see V’s true facial expressions, we get a good idea of his emotional state from his body language. It could be how he tilts his head, places his hands on his body or a prop, or the tone of his voice, but we know when he’s angry, sad, lonely, etc. It’s an interesting study.
As writers we tend to focus on the characters facial expressions to convey their emotional state. V reminds writers that body language can say just as much, if not more of a characters thoughts and emotions. Capturing every mannerism is impossible, or at least unrealistic. Some of the descriptions will be far too awkward or would slow the pace too much, while others would be too vague with what you’re trying to convey or misinterpreted to mean something else. However, watching V interact with people on the screen, is a great reminder that when trying to convey a character’s emotions, don’t be afraid to turn the eye from the character’s face to their body.
There is a fantastic book that will help you figure out what type of body language you can show for a particular emotion, if you struggle with that aspect in your writing. I highly recommend The Emotional Thesaurus: A Writer’s Guide to Character Expression by Angela Ackerman and Becca Puglisi. So, grab the book, if you need it and find a scene in your current Work in Progress and see how the scene reads once you replace descriptions of facial expressions with other types of body language.