October 10

Tenderness Critical Review

Almost any writer can tell you that the three act structure consists of Set up, Confrontation and Resolution.  However there are more ways to write a story then the three act structure.  A book could be written with three, four, five or even six acts. Robert Cormier provides a strong example of the four act structure in his novel Tenderness.

According to Larry Brooks the first act of the four act structure “introduces the hero in his everyday life, sets a hook to keep readers reading, establishes the hero’s stakes (what he cares about that will be endangered later), and foreshadows later events. It also introduces the changes in the hero’s life that propel him toward the First Plot Point.”

Readers see the first act in first 100 pages of Tenderness. Readers are in the first Act of the story. In this act we meet Lori, learn about her fixations and see how she gets rid of them with Thrash. Afterwards, while watching the news, readers see her develop another fixation on admitted killer, Eric Poole.  Unwilling to leave town before she gets rid of her fixation on him, Lori finds a temporary refuge at Harmony House.

Eric’s past is revealed through an interrogation by a police officer. He then foils the officer’s plans to keep him in prison. On one of his last days in prison, Eric develops his own fixation on a girl, Maria, who fits his victim profile.

In The Four-Part Structure, Larry Brooks wrote the following about act two, “Everything the hero cares about (and readers came to care about in Part 1) is in danger. The hero is usually just reacting to what happened at the First Plot Point—not being proactive. She might try to save the day, but if she does, it doesn’t work yet.”

From pages 100 to 140, readers are in act two. Eric stays at his Aunt Phoebe’s house. While waiting for the media to lose interest in him, Eric thinks about Maria and slowly grows tired of biding his time. He wants to kill Maria. Meanwhile, because Eric avoids the media watching his aunt’s house for him, Lori is unable to see Eric, much less remove her fixation.  She is stalled, non-active beyond keeping a vigil on Eric’s house in the hopes of him coming out.

Eric however has seen Lori through the back window of the house.  She looks familiar to him at first, but he eventually remembers that she was a potential witness to one of the murders he committed years ago and wonders if she might be a lose end he has to kill to maintain his freedom.

Concurrently, one of the girls at Harmony House is trying to get Lori in trouble and Lori recognizes she can’t stay there any longer. Giving up on removing her fixation on Eric, she leaves Harmony House to return home. Before she leaves, however, she swings by his house one final time to say a silent goodbye.

Act three, according to Larry Brooks, is when “the hero becomes proactive, and begins to seriously fight back against the antagonist. He also starts to fight against the inner demons that are holding him back.”

From pages 140 to 214, readers are in the third act structure.  In this act, Lori and Eric finally meet or are reunited as the case may be.  However Eric is suspicious of her and wonders if he needs to kill her. They spend some time together, during which Eric decides Lori isn’t a threat to him and Lori manages to get rid of fixation of him. By then she has grown to care for Eric though and realizing he has not been freed of his fixation on Maria, Lori encourages Eric to go after her. Maria is a trap however. Lori realizes this and stops Eric from hurting Maria, before he has done anything the police can arrest him on. The police threaten to arrest Lori for interfering and she runs into the woods to escape them.

In the Four-Part Structure, Larry Brooks wrote that in Act four “Everything in the previous three parts comes together in a final climax, in which the hero shows that she’s overcome her inner demons. After that, there’s a bit of time for tying up loose ends.”

From page 217 to 229 readers are in the fourth act. Once Lori and Eric find each other again, they decide to celebrate their near escape and rent a canoe in the park. They trust each other, are fond of each other and feel they may be together for a while.  However Lori falls out of the canoe and into the river.  Eric tries to save her. However Lori dies and Eric is sent to prison for her accidental death. In prison, Eric mourns for the loss of a living creature for the first time in his life, which ends the four act structure.

Cormier is a master storyteller, who uses the lesser known four act-structure to tell the story of a serial killer and his would-be accomplice.

Works Cited

Brooks, Larry. “The Four-Part Structure.” Squidoo. N.p., n.d. Web. 04 Oct. 2012. .Cormier, Robert. Tenderness: A Novel. New York: Delacorte, 1997. Print.
September 15

Tenderness by Robert Cormier

Eighteen-year-old Eric has just been released from juvenile detention for murdering his mother and stepfather. Now he’s looking for some tenderness—tenderness he finds in caressing and killing beautiful girls. Fifteen-year-old Lori has run away from home again. Emotionally naive but sexually precocious, she is also looking for tenderness—tenderness she finds in Eric. Will Lori and Eric be each other’s salvation or destruction?

This was an interesting book. I was expecting this story to go down a different route, to have a different focus than it proved to have but it was still an enjoyable read.

Both protagonists in this book are anti-heroes, and anti-heroes, especially female anti-heroes are extremely rare no matter the genre. For that alone this book is worth a quick read.. But structurally, there are several reasons to do so. I had twenty pages left to read of  Tenderness when I realized that the book switched between third and first person throughout the entire novel, which is something I normally notice immediately. But it never jarred me making the switch between the different personages.

This book however did not sit well with me in several ways.  Both Lori and Eric felt older than they were in the book. I would have believed Lori closer to 17. Eric felt more in his 20s. However, the plot wouldn’t have worked with the characters those ages.  Once you read the book you’ll know why. I don’t want to spoil anything.  But…I don’t know, it rubbed me wrong.

Other than that, I really didn’t have any issues with the book.  It was a bit on the dry side for me.  And it will probably never be a book that I have on my must keep shelf.  But it kept my interest the entire way through, which is always a good sign.  I would recommend this book more for the structure and the story than the entertainment value.  But that’s my taste.  I know some of my friends will completely and utterly love this book.